Showing posts with label soundscapes. Show all posts
Showing posts with label soundscapes. Show all posts

Sunday, September 4, 2011

Seoul is to Korea as ... ______ is to ______

... Moscow is to Russia.
... Boise is to Idaho.

After eleven months in Korea, I finally made it to Seoul. It's not really Korea. People speak English. There's a huge variety of foreign food, not just the regular pasta and waffles. And the number of foreigners is astounding.

Before visiting, I was skeptical. I knew it would be a huge city, with lots of people, and whenever I thought of this in comparison to the lovely, closer option of Busan, I ALWAYS opted for the beach. So, when I finally made it to Seoul, I was pleasantly surprised.


Ulsan, marked in the white circle, is where I am located. Busan (the blue circle) is the second largest city in South Korea and boasts a few lovely beaches. Seoul (the yellow star) is "really" far away.

I had low expectations for Seoul. I thought of a crowded, overpopulated mess of people. I lived in Moscow for nearly two years. I knew what a city was like. But as with all things in life, you do not really know it until you try it.

One of the best discoveries in Seoul, was a design museum / cafe combination in Hongdae. While it can be a bit tricky to find the first time, it is well worth the journey. aA Cafe is a simple, modernist style building full of custom furniture and designed like an old warehouse, brewery, or art school. The large windows let in as much light as possible, and the feeling of the exterior and interior made me think of Frank Lloyd Wright's work and a smattering of other modernist architecture and interior design that I was briefly exposed to at University.

Sitting in aA Cafe

Unlike (or the same as) similar places in America, I do not think this place was EVER anything other than what it is now, but that does not lessen it's charm or character. The ambiance is created by lofty ceilings, huge hanging lights, brick walls, and mismatch furniture. The knowledge that there is a museum directly underneath the cafe, which houses a variety of "antiques" and modern creations, and the assumption that there is a studio above the cafe where people create beautiful, yet simple, furniture contribute to the illusion that Korea, full of it's nearly formulaic glitter and cuteness, has been left far behind.

Part of the museum ... no sitting here.

Rivaling the discovery of aA Cafe, away from the noise and chaos of the city, the Han River provides a calm that cannot be found in the overcrowded shopping districts. The old river stretches off into the distance and allows for windsurfers, jet skiers, and sail boaters to enjoy a lovely Sunday afternoon. A paved path runs along the river and connects the various districts of Seoul in a non commercial space. Young and old, families, couples, and a variety of others utilize this path. As I walked along the river near Itaewon toward the 63 Building, enjoying my solitude and the peace and quiet, a realization dawned. Unlike Ulsan's Taewha River path, the path along the Han lacks speakers. There is NO K-Pop blaring. There is NO classical music. There is absolutely NO manufactured, constant sound, and the effect is refreshing. In the stretches of path away from bridges, the main sounds that could be heard were the river, crickets, and cars and trains in the distance.



Before arriving in Seoul, my expectations were low if not nonexistent. I knew it would be a city. I knew it would be different from Ulsan because there would be a variety of foreign food, though I had no idea the extent of that variety - Itaewon boasts everything from Mexican to Thai to French to Arabic and more. I knew at times I would feel claustrophobic because of the shear number of people, but I had no idea how much I would enjoy it. A lovely cosmopolitan change from the more conservative and isolated areas of Korea, Seoul has character, and I would highly recommend it, in small doses, for anyone living in Korea.

Monday, May 16, 2011

A deer? In Ulsan?: Ulsan Grand Park rediscovered

As a girl from Idaho, a fairly sparsely populated region of the world, I have certain expectations about what “nature” should be like. But travelling outside of my part of the States has proven that many of these expectations are unrealistic for the majority people living in or near big cities.

Taking my experiences, I previously had quite low expectations for nature in Korea. Nature and “wilderness” equaled a well beaten path, people not too far in front of or behind you, and wildlife that hardly ever showed its face … except magpies, pigeons, bugs, etc., that are used to the presence of humans. So, this morning brought me a pleasant surprise.

I woke up with an itch to get outside, lay on the beach, and draw. Unfortunately, the weather was not about to let that happen.

I woke up to hazy skies, a bit of wind, and about 16 degrees Celsius instead of the previous day’s 25. Disappointed, I dragged myself out of bed, and thought of alternative plans.

I could go to a coffee shop.

I could stay home.

Meh.

Maybe I could go to the park?

Finally, I left the house and went to the bus stop. The first bus I saw made my decision for me. It was a bus that took me straight to the entrance of Ulsan’s Grand Park.

My plan? Go to the amphitheater in the park and draw.

When I arrived at the park, despite it being mostly empty, there was a couple walking in front of me with a similar idea … only they planned to have a picnic. They went directly to the location I had chosen in my mind.

Disappointed, but realizing it might be better, I headed off the paved path and into the woods. Not ten steps in, I passed a hiker, so I thought the experience would be as devoid of wildlife as my previous Korean ventures into the “woods.”

But another ten steps in, I startled a deer.

Stunned, I just stopped.

Looking up at the hill, I confirmed what I saw.

The deer, just as stunned, had stopped a bit up the hill.

A deer? In Ulsan? Wow.

My hopes were up, and I continued along the path.

Not two steps later, I heard and saw a woodpecker on a tree directly in front of me. After he caught sight of me, he moved behind the small tree, but he was curiously playing peek-a-boo. As much as I wanted to catch sight of him, he seemed to want to get a glimpse of me.

As I watched the woodpecker, a tufted eared squirrel started yelling obscenities and ran up a tree, while another across the way made a claim on the bark of a dead tree. Gnawing and scratching, tugging and pulling to collect bark … for what? I’m not sure.

Red Squirrel Sciurus vulgaris coreae, Photo © Tim Edelsten

I was amazed and blown away.

I had seen more wildlife in five minutes than I had in the eight months previous.

I realized that while I had been observing all of this occur around me, I hadn’t seen anyone else. Even more amazingly, this little haven was not far off the paved, overly-manicured park path.

It seems, weekday mornings are the best time to explore Korean “wilderness.”

I had ventured onto Grand Park’s hiking trails before, but on that trek I hadn’t seen any wildlife, aside from the usual bugs and magpies. It was a legitimate hike, but on a Sunday, the trail abounded with people.

I was annoyed by the old man walking behind me with a speaker blaring news. I grumbled to myself, “Haven’t you ever heard of headphones?!”

After being unable to outrun the sound, I slowed to let the man pass and try to get some quiet and hear some birds.

But I ran into another person and another.

And another.

Yes, I am still in Korea.

There was no tricking myself that Sunday.

This morning was different, though brief. The forest was quiet and filled with the racket of wildlife.

As I was leaving, I heard a rustle in the bushes and turned to see a green snake, with a splash of red. As I stopped and turned, another deer bolted into the forest, and I heard a cuckoo call out, though it took me a minute to realize it.

While there was no way I could possibly belief myself to be in Idaho (the wildlife looked much too different, as did the greenery) my brief walk this morning was quite pleasant and incredibly convenient.

Sunday, November 21, 2010

Korea's inappropriate soundscapes

Imagine this.

You get off the bus in a concrete jungle, without even trees to break up the cement, pavement, steel and glass. You walk to the park, with the express purpose of taking a mini-break from urban culture only to find that the sounds of nature have been overlaid with pop music.

Assumption number one: parks exist as green spaces to break up the urban landscape and serve as an accessible extension of nature and the sounds that accompany it.

At first, this assumption rings true, but soon the reality of Ulsan’s manmade nature sinks in. Music is blaring from speakers, two on each lamp post, and regardless of where I go in the park, I cannot hear the uninhibited “sounds of nature.”

Nature encompasses me. A river flows through the park, grass and trees on either side. A great blue heron stands in the water, gracefully waiting … for what, I have no idea, but waiting none-the-less. Ducks sleep or dive to eat, and jumping fish plop back into the water, seemingly with no worries about predators. Observing nature, I am nearly drawn in. I see the beauty that Asian artists have painted for centuries, the trees that grow in seemingly effortless, beautifully curved lines that beg to be replicated.

Yet, as I walk, I’m wrenched out of this contemplative mood by blaring club beats.

The soundscape of nature has been co-opted by pumping rhythm. Like an art gallery displaying too many sound-art pieces together, the overlapping themes clash. The juxtaposition feels off. Rather than gleening the expected inner calm from nature, I am distracted and wondering at the logic of such created experiences. Suddenly, I have moved in my mind from nature, to the bar or club from the previous evening, and I am reminded of the electronics shop I walked by on the way to the bus stop.

Assumption number two: music in an outdoor setting should be controlled by the listener.

While in a grocery store, at a club or restaurant, or basically anywhere indoors, I have come to accept music as a part of my daily experience. Many times I tune it out or cover it up with my own music via iPod, but, perhaps because I was raised in Idaho where nature usually means uninhabited space, I have always taken it for granted that a public, outdoor space will generally be music free, barring obvious exceptions.

That being said, public outdoor music is not completely new to me. I remember feeling like I was in the middle of nowhere, deep in a forest in Moscow when music interrupted the mood and crowded the soundscape, but the ability to escape from the music made it tolerable.

In Ulsan, at the greenbelt, it is nearly impossible to escape. Each bench lines up with a light post to which two speakers are attached. As soon as I think I’ve reached the point at which the next step will bring me far enough away from the speaker so the sound cannot reach me, the next set of speakers takes over. The city obviously invested money in the research and development of this soundscape because there does not exist an escape from it, but that’s exactly the problem.

As a visitor to this bit of nature, there is no choice but to listen to music. This begs the question why? What is the purpose of a greenbelt with constant music playing?

I have not yet found an answer to this question, and I challenge anyone to find a reasonable argument for such outdoor, public soundscapes.